Seeing and hearing Derroll Adams play and sing when I was seventeen, was a personal and musical turning point. Since then I have been captivated by the possibilities of the banjo as an instrument. Whether used in traditional old-time music, bluegrass, Irish folk music, New Orleans or Dixieland jazz and swing, the banjo is as diverse as its music.

ifferent types and specifications are countless: 4/5/6-string banjos inspired by existing models, custom-ordered models with custom-ordered decorations. The greatest effort and care go into bringing the best possible voice out of the tightened banjo head of your choice.
The past twenty-five years I have built banjos ‘from all walks of life’ and every time I finish one, for a brief moment, I am reluctant to part with it.